dliangthinks.me
  • Writing
  • Technology
  • Pedagogy
  • Translation
  • About Me
  • Writings on Cinema
    • The Slop Problem
    • In Praise of Mysterious Characters
    • The Work of Writing in the Age of AI
    • Three Lessons on Cinematic Framing
    • Cinematic Editing - a viewer’s guide
    • The Mysterious Craft of Camera Movement
    • Everything you want to know about film studies...
    • A Crash Course on Cinematic Staging
    • In praise of laconic cinema, or films that don’t talk
    • THE WORLD HEARD: SOUND, FILM THEORY AND THE CINEMATIC EXPERIENCE
      • Introduction
      • Hearing the World of Film
      • Immersed in Sound
      • Lost in Sound Space
      • Cinema Learns to Speak
      • Babel is The World
      • Epilogue
    • Camera Movement in Max Ophuls
    • Notes on The Mirror
    • On Christian Metz: Cinema and Language
    • Prompt, Context, Harness: The Three Phases of AI Engineering
    • How We Build Software in the Age of AI
    • Claude Code and The Rise of CLI
    • The Fork in the Road: Claude Code vs CoWork
    • Claude Cowork
    • We're Still Pumping Water from Mines: The Path to Superintelligence
    • Claude Skills, Commands, Agents toward a unified mission
    • The Death and Rebirth of AI - lessons from not so distant past
    • To Think or not to Think - How "Reasoning" in LLMs Evolved
    • Feature of Bug? Toward a Psychology of LLM
    • AI Companionship on the Rise
    • The State of TTS: early 2025
    • Local Intelligence, an Important Step in the Future of MAD (Mass AI Deployment)
    • Microlearning with lot of Tiny Cats
    • Technologies of Learning, a 2024 Primer
    • Mindcraft
    • Lean, UX, Clicking Buttons and Starting a Tesla
    • Tabwriting and the future of writing technology
    • From Turks to HAL: the eccentric journey of voice machines
  • Pedagogy
    • Why E-Learning Fails the 70-20-10 Test
    • Unboxing AI, Understanding the Magic of Large Language Models
    • The Brain Power Management Revolution
    • Elearning Demystified
    • The Format of the Century
    • The Age of Mobile Consumption
    • Rules of Engagement
    • Seymour Papert’s Legacy
  • The Work of Writing in the Age of AI
    • The Work of Writing in the Age of AI
      • Cinematic Framing
      • Cinematic Staging
      • Cinematic Editing
      • Camera Movement
      • Film Sound
      • Cinematic Worlding
      • Voice Machine
      • Harness Engineering
      • Experiential Learning
    • The Work of Writing in the Age of AI
      • Andrei Tarkovsky
      • Max Ophuls
      • Christian Metz
      • Seymour Papert
      • Marshall McLuhan
    • The Work of Writing in the Age of AI
      • Film Aesthetics
      • Early Cinema
      • Memory
      • Perception
      • Writing and AI
      • AI Coding Tools
      • Agentic AI
      • Voice Technology
      • Technologies of Learning
      • Programming Education
      • Translation
  • Translation
    • 务虚笔记 - The Pursuit of Nothingness
    • Mindstorms - 思维风暴
    • 全屏变形和想象中的摄影机——论动画中的透视运动
    • 世界呈现于自身的影像, 论全息电影的神话
    • 告别指向符, 电影和现实印象
    • 景观电影, 早期电影，其观众，以及先锋派
    • 照片造假时代，指向符何为
    • In Defense of Liberal Education - 为人文教育辩护
    • Walden - 瓦尔登湖
    • Caligula
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  • About Me

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Mar 24, 2024 · 0 min read
Last updated on Mar 24, 2024
Dong Liang
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Dong Liang
Learning Technologist / Instructional Designer / Elearning Developer
About Me Oct 24, 2023 →

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