Three Lessons on Cinematic Framing
Given by Ida, I'm not Madame Bovary, The Favorite
Cinematic Editing - a viewer’s guide
Eisenstein the Tailor
Everything you want to know about film studies...
...but didn’t know how to ask
A Crash Course on Cinematic Staging
Film director is called metteur-en-scène because his or her primary role is staging
Camera Movement in Max Ophuls
TBA
Notes on The Mirror
Emotion, memory and senses are inseparable. One always evokes the other. This seemingly innocuous statement in fact leads to cinema’s greatest potential.
On Christian Metz: Cinema and Language
“We shape our tools and thereafter our tools shape us.” — Marshall McLuhan